e premte, 19 mars 2010

Exhibition: Stephanie Syjuco



New images on Stephanie Syjuco’s website about her “notMOMA” exhibition at Washington State University.
http://www.stephaniesyjuco.com/cat_new.html

Blog: Al Farrow



-“The de Young specializes in art and a striking piece of sculpture was the anti-war installation model of a Cathedral, by Al Farrow, made out of old and decommissioned weapons and consisting of further materials such as guns, bullets, steel, glass, bone. It serves as a graphic illustration of the link between war and religion.”
http://theoldesttrainee.blogspot.com

-“Bay Area artist Al Farrow has an affinity for creating replications of various religious gathering spaces. This, of course, is not revolutionary. What is unconventional, however, is the medium he uses: gun parts. From the scope to the trigger, the handle to the bullets, the pins to the chamber, all pieces of the gun are utilized.”
http://youshouldknow2.blogspot.com/2010/03/god-and-glock.html

Exhibition: Charles Gute


“We Between the Lines” at the Morgan Lehman Gallery, featuring Charles Gute.
Opening reception: Thursday March 25, 6-8 pm.
Exhibition runs March 25 –May 1, 2010.

”Morgan Lehman Gallery is pleased to announce We Between the Lines, an exhibition of text-based paintings, drawings, photographs and sculpture by six mid-career and emerging artists, curated by Liz Parks.”
http://www.morganlehmangallery.com

-Charles Gute is also featured in the Brooklyn Arts Council’s exhibition, “Glitch Generation,” curated by Michele Jaslow and Spring Hofeldt.
Exhibition runs February 4 – June 25, 2010
http://www.brooklynartscouncil.org

-“The Corrections" opens at Catharine Clark Gallery on Saturday, April 10.
http://www.cclarkgallery.com

Video: Sandow Birk


Interview with Sandow Birk and German curator Johan Holten about Birk’s “The Depravities of War,” which was shown in Heidelberg a year ago.

http://artmetropol.tv

Press: Charles Gute


-The march issue of Frieze features original commissioned projects by Charles Gute, pick up a copy on newsstands.
-The March/April issue of Flash Art also features commissioned projects by Gute.

Exhibition: Al Farrow



Al Farrow is currently exhibited at ARTParis, in the exhibition, "Guest Platform" at the Grand Palais.

Show runs March 16 -22

http://aeroplastics.net/

e premte, 12 mars 2010

Video: Lincoln Schatz


Video work by Lincoln Schatz

"As a cutting-edge video artist, Lincoln Schatz is familiar with the different ways in which we perceive the world. It is no surprise, then, that for our Inventions series, Schatz should invent a device that allows us to see the world through someone else's mind. Behold, Brainsharing..."

http://www.good.is

Award: Charles Gute


Charles Gute has been awarded a residency as a part of the VLA Art& Law Residency Program.

“The Art & Law Residency provides an intellectual and artistic setting for participants to engage in ongoing discussions and debates that examine the overlap and disconnect between artistic production and the law from historical, social, ethical and intellectual standpoints.”

Program dates: March 8 through August 30, 2010
The residency will end in a show at the Maccarone Gallery.
http://www.vlany.org/education/index.php/#residency

Press: Charles Gute


“Gold Standard” is an original artist’s project by Charles Gute for the March April issue of Flash Art

Event: Travis Somerville


Book signing with Travis Somerville at Catharine Clark Gallery.
Saturday, March 27, 2-4pm, hope to see you there!

Exhibition: Stephanie Syjuco


Images and artist statement from Stephanie Syjuco’s newest exhibition, “notMOMA,” at Washington State University.

February 25-March 22, 2010

“Made over the period of several weeks by myself and and dozens of WSU Pullman art students, this exhibition consists entirely of re-fabricated artworks “curated” from the permanent collection of New York MOMA. A fully handmade show, notMOMA attempts to bridge a gap in students' understandings of "high art" and invites them to access the works via their own do-it-yourself collective vision.

Whether considered copies, translations, or even mis-translations, all resulting works are unique expressions in their own right. As an illicit travelling exhibition “borrowed” from their collection, notMOMA creates a dialogue between WSU’s art department and an inaccessible, perhaps reluctant art institution located on the other side of the country.”
—Stephanie Syjuco

http://www.stephaniesyjuco.com

Press: Travis Somerville


KQED Arts reviews Travis Somerville’s show, “Rededicated to the Proposition...”

“From the second you walk in the door at Catharine Clark Gallery, it's apparent that the title of Travis Somerville's newest body of work, Rededicated to the Proposition, a reference to the Gettysburg address, isn't meant as an activist's call so much as an ironic statement.”

http://www.kqed.org

Blog: Travis Somerville


Blog featuring work by Travis Somerville.

“Travis Somerville explicitly deals with race relations throughout the nation's history. Because of the time-specific imagery appropriated in his mixed media collages, he confronts the viewer with seemingly antiquated images and forces the viewer to consider them in the context of the contemporary moment.”

http://becausemyvoiceisntloudenough.blogspot.com

Press: Anthony Discenza, Stephanie Syjuco



-Glen Helfand writes about Anthony Discenza’s work in the current. March 2010 issue of ArtForum

-Work from Stephanie Syjuco from the Art Review of 1969 exhibition is also in the current issue

http://artforum.com